Lettere scelte.

Introduz.testo e note a cura di Vanni Bramanti. Milano, Longanesi Ed. 1970, cm.16x23, pp.569, 22 tavv.bn.ft.62 ill.bn.nt. legatura ed.in tutta tela, titoli in oro al piatto ant.e dorso, sopracop.fig.a col. Coll.I Cento Viaggi,10.

Versione di Carlo Vitali. Testo latino a fronte. Bologna, Nicola Zanichelli Editore 1992, cm.12,5x19,5, pp.377, legatura ed., sopraccop.fig.a col. Coll.Prosatori di Roma.

New York, Thames & Hudson 1996, cm.21,5x30,5, pp.454, num.ill.e tavv.bn.e a col.nt. Softcover. Text in english. These essays consider both architecture and urban planning in late medieval and Renaissance Italy, and French and German Renaissance architecture, stage designs and the relationship of architecture with the other arts. The works are analyzed historically from the viewpoint of both the humanist Renaissance theories and of modern critical reappraisals. Reproducing and describing numerous designs, projects and manuscripts by Brunelleschi, Alberti, Michelangelo and Bramante among others, this volume presents a panorama of civil and religious masterworks by those who created European architecture.

Esemplare molto fresco, completo. In Venezia, Presso Carlo Buonarrigo poi dal vol.II Steffano Monti 1722-1742, Opera completa in 12 volumi. cm.19,5 x27, pp.(6)LI-603, (8)560, (4)482, (4)492, (4)524, (4)531, (4)536, (4)534, (4)548, (4)540,(4)532, (4)424 Con bellissima antiporta Antonio Luciani e incisa da Domenico Maria Fratta. Marca calcografica (Monti. Motto: Conven ch'uom poggi) sui frontespizi. antip. incisa da Antonio Luciani su disegno di Domenico Maria Fratta. Iniziali xilografiche. Legature coeve in mezza pelle, titoli in oro nei tasselli. Monumentale impresa tipografica rimasta in sospeso, dopo l'uscita del primo volume, fino al 1735 quando la pubblicazione fu ripresa da Stefano Monti.

An inaugural lecture given in the University of Cambridge, 15 may 2000. Cambridge, Cambridge University Press 2000, cm.12x18, pp.73, fascicolo spillato, The text of this inaugural lecture, delivered in Cambridge on 15 May 2000, focuses on contemporary memory and the writing of history in the eighth and ninth centuries, taking the events of 817 and the contemporary accounts as a case study. It discusses how Frankish writers constructed their past in the early Middle Ages, and considers how and why this period should be part of the construction of our own past in the twenty-first century, both in Britain and in continental Europe. The lecture argues that a sense of the past is essential for the expression of a much more general cultural affiliation and sense of identity.