Alfred's Basic Jazz/Rock Course: Improvisation, Level 1. A complete approach to improvising on both acoustic and electronic keyboards.

A complete approach to improvising on both acoustic and electronic keyboards. Van Nuys, Alfred Publishing Co. 1995, cm.23x30,5, pp.24, brossura cop.fig.a col. Alfred's Basic Jazz/Rock Course,5758. Improvise right away! Bert Konowitz introduces all the basic improvisation concepts in a simple, easy-to-learn-and-teach format. Each new concept is presented in a logical, progressive order followed by reinforcement exercises allowing students to try different interpretations. Playable on both acoustic and electronic keyboard.

A complete approach to playing on both acoustic and electronic keyboards. Van Nuys, Alfred Publishing Co. 1991, cm.23x30,5, pp.32, brossura cop.fig.a col. Coll.Alfred's Basic Piano Library,3142. A supplement to Alfred's Basic Piano Library, this series is designed for students and teachers with limited or no experience in jazz and rock music styles. Perfect for individuals and group instruction and playable on both acoustic and electronic keyboards.

A Collection of 12 Exciting Pieces for Acoustic and Electronic Keyboards. Van Nuys, Alfred Publishing Co. 1992, cm.23x30,5, pp.24, brossura cop.fig.a col. Coll.Alfred's Basic Piano Library,6258. Supplementary performance books designed to correlate with Alfred's Jazz/Rock Course. All the Jazz/Rock Performance books contain exciting pieces that reinforce concepts presented in the Jazz/Rock Course.

Prepared for the association for Documentary Editing. Baltimore and London The Johns Hopkins Univ.Press 1987, cm.15,5x23,5, pp.XVI-227, legatura ed.in tutta tela.

With a bibliographical note by Edgar Mertner. Reprint of the London edition,1811. Hildesheim, Georg Olms Verlag 1969, 8 Voll. cm.13x19,5, pp.XXXII,410,335,393,385,402,420, XV,429,432, legature editoriali in tutta tela, titoli in oro ai piatti ant., tasselli con titoli in oro ai dorsi, Coll.Anglistica & Americana,44.

Firenze, Olschki Ed. 2009, cm.17x24, pp.XX,262 brossura cop.fig.a col. Coll.Fondazione Giorgio Cini. Studi di Musica Veneta. Quaderni Vivaldiani,15. Rispetto a quanto comunemente si crede, Vivaldi fu un acuto e creativo specialista della fuga. Questo studio storico-analitico, ben illustrato, è il primo a esaminare e distinguere i molti differenti modi – alcuni estremamente originali – in cui Vivaldi applicò la tecnica della fuga alla sua musica, e vuole – oltre che incrementare la comprensione della musica vivaldiana – contribuire alla letteratura sulla fuga, alla sua terminologia e, più in generale, alla storia della morfologia musicale.

A new edition of the most poular method for learning how to play. For individual or class instruction. Van Nuys, Alfred Publishing Co. 1992, 1 vol. + CD, cm.23x30,5, pp.48, brossura cop.fig.a col. (disponibili anche due copie senza CD allegato a € 3,00.).