Photojournalism.

Verona, Off. Grafiche A. Mondadori per Time-Life International (Nederland) 1972, cm.26x26, pp.246,(4), numerose tavv. fotogr. in nero nt., leg. ed. in mezza tela, titoli al piatto ant. e al dorso, piatto ant. fig. (Timbro ex libris rosso al piede del contropiatto posteriore.) Coll. Life Library of Photography.

Verona, Off. Grafiche A. Mondadori per Time-Life International (Nederland) 1972, cm.26x26, pp.230,(4), numerose tavv. in nero e alcune a colori nt., legatura ed. in mezza tela, titoli al piatto ant. e al dorso, cop. fig. a colori. (Timbro ex libris rosso al piede del contropiatto post.) Coll. Life Library of Photography.

Verona, Off. Grafiche A. Mondadori per Time-Life International (Nederland) 1973, cm.26x26, pp.228, numerose tavv. a colori e in nero nt., legatura ed. in mezza tela, titoli al piatto ant. e al dorso, cop. fig. a colori. (Timbro ex libris rosso al piede del contropiatto post.) Coll. Life Library of Photography.

Nederland, Time-Life Books 1973, cm.26x26, pp.229,(1), ca. 200 tavv. fotogr. in nero e alcune a colori, legatura ed. in mezza tela nera, piatti color argento, piatto ant. fig., titoli in bianco al dorso. (Dorso lievemente insolato.)

A cura di G.Scotti. Ferrara, Liberty House 2004, cm.17x24, pp.277, 21 tavv.bn.ft. brossura cop.fig.a col.

London, Pitkin Pictorials 1970, cm.18x22,9, pp.24, 41 ill.in bn.nt., fasc.con 2 punti metallici, cop.fig.a colori. [ottimo esemplare.]

Feat. Tony Malaby - saxophones, tenor et soprano Matthieu Donarier - saxophones, tenor et soprano Thomas Grimmonprez - batterie Stéphane Kerecki - contrebasse Genere: Jazz - General. Zig Zag Territoires 2009, 1 CD, Playing Time: 58 min. AudioCD,

Artwork by Jasper Johns. Contributions by Kirk Varnedoe. Text by Roberta Bernstein, Glenn Lowry. New York, Museum of Modern Art 1996, cm.23x32,5, pp.408, ill.col. brossura con copertina figurata a colori. Accompanying the major exhibition at The Museum of Modern Art, New York, in 1996-97, Jasper Johns: A Retrospective contains 264 color plates illustrating Johns's work in all its facets - paintings, drawings, sculptures, and prints. An introductory essay by Kirk Varnedoe, the exhibition's curator, looks back through the layers of memory in Johns's recent work to review the essential themes that have engaged the artist since his epoch-making Flag and Target paintings of the mid-1950s. In the book's second essay, Roberta Bernstein analyzes a crucial tactic in Johns's art: his many methods of referring to predecessor artists ranging from Leonardo and Grunewald to Cezanne, Duchamp, and Picasso. The illustrations for Bernstein's essay include a fourteen-page section reproducing the images she discusses - a striking visual demonstration of the variety of the art that Johns's work gathers together and transforms. Varnedoe then takes the opposite approach to Bernstein's, exploring how Johns's art has been interpreted by the artists of his and our own time: from the Pop, Minimal and Conceptual movements of the 1960s through to the new art of today, his work has proved rich enough to have a fundamentally influential impact on an extraordinarily diverse array of artists. The plates in Jasper Johns: A Retrospective are arranged in sections according to the stages of Johns's career, allowing comparison of paintings, drawings, sculptures, and prints from each period of his art as it has developed and changed. This comprehensive selection of reproductions is interwoven with an illustrated chronology tracing Johns's life and work with unprecedented accuracy and thoroughness.