The Victorian Vision: Inventing New Britain.

Faella, Prìncipi & Principi 2011, cm.21,5x28,5, pp.32, completamente illustrato a col., legatura editoriale cartonata, piatti figurate a colori. Coll.Le Fiabe. Un leone in forte crisi di identità, che crede di essere il re degli animali ma che si trova di fronte, sempre, qualcuno che è più agile, più forte, più intelligente di lui. Una favola che Daniele Nannini, Premio Andersen per il miglior illustratore 1988, tratteggia con leggerezza e ironia. C’è una morale? Sì, c’è una morale.

Firenze, Ed. Olimpia 2007, cm.17x24, pp.304, brossura

Witchcraft & Agrarian Cults un the Sixteenth & Seventeenth Centuries. Introduzione di Eric J. Hobsbawm. Traduzione di John ed Anna Tedeschi, Londra, Routledge & Kegan Paul 1983, cm.15x21, pp.210, legatura editoriale con sovraccoperta figurata. Based on research in the Inquisitorial archives of Northern Italy, The Night Battles recounts the story of a peasant fertility cult centered on the benandanti, literally, "good walkers." These men and women described fighting extraordinary ritual battles against witches and wizards in order to protect their harvests. While their bodies slept, the souls of the benandanti were able to fly into the night sky to engage in epic spiritual combat for the good of the village. Carlo Ginzburg looks at how the Inquisition's officers interpreted these tales to support their world view that the peasants were in fact practicing sorcery. The result of this cultural clash, which lasted for more than a century, was the slow metamorphosis of the benandanti into the Inquisition's mortal enemies—witches. Relying upon this exceptionally well-documented case study, Ginzburg argues that a similar transformation of attitudes—perceiving folk beliefs as diabolical witchcraft—took place all over Europe and spread to the New World. In his new preface, Ginzburg reflects on the interplay of chance and discovery, as well as on the relationship between anomalous cultural notions and historical generalizations.

Prato, Aurora Boreale 2022, cm.15x21, pp.64, illustrazioni. brossura copertina figurata a colori.