Solzenicyn in Russia con "Postface" all'edizione italiana su Arcipelago Gulag, Lenin a Zurigo e altri scritti politici.

Presentaz.di Stefano Asperti. Roma, Viella Ed. 2007, cm.15x21, pp.X,422, brossura copertina figurata a colori con bandelle. Coll.La Storia. Temi,8.

Paris, La Renaissance du Livre 1920, cm.14,5x20, pp.XXVIII,414, brossura intonso. Bibliothèque de Synthèse Historique. L'Evolution de l'Humanité. Première Section: Préhistoire, Protohistoire, 1. (Altra copia con num.di biblioteca ms.in cop.,€10,00).

Torino, S.E.I. 1973, cm.17x24, pp.158, con tavv.bn.ft. brossura cop.fig. Coll.Il Lavoro Storico Documenti e Critica.

Venice, Fondazione Vedova, 28 May - 24 November 2013. Edited by Germano Celant. Milano, Skira 2013, cm.24x28, pp.304, 350 illustrazioni a colori. legatura editoriale cartonata, sopracoperta figurata a colori. Collana Arte Moderna. Cataloghi. The planned exhibition at the Fondazione Vedova in Venice (Biennale Arte 2013) will encompass Roy Lichtenstein's sculptural production throughout his career, from the early 1960s through to the late 1990s, presenting his influential sculptural oeuvre in ceramic, bronze, wood, porcelain, steel and aluminium, as well as drawings, collages, and maquettes that describe the artist's working processes.The catalogue, a major chronology of Lichtenstein's sculptures, not only documents is production practice - from sketches and drawings to collages, maquettes, metal sculptures and large-scale interventions in urban contexts, but approaches Lichtenstein's work from the perspective of fabrication methods and industrial techniques.