Progetto domestico. La casa dell'uomo: archetipi e prototipi. Progetti.

Sesto Fiorentino, Villa Corsi Salviati,24 ottobre- 22 novembre 1981. A cura di Maria Pia Mannini. Firenze, Electa Ed. 1981, cm.22x24, pp.127, 66 ill.bn.e alcune tavv.a col.a p.pag. brossura cop.fig.a col.

Venezia, Palazzo Grassi, 30/9-22/10/1978. A cura di Marco Semenzato. Venezia, Azienda Automoma di Sogiorno e Turismo di Venezia 1978, cm.20x21, pp.328, illustraz. bianco e nero e a colori nel testo, brossura con copertina figurata a colori. Collana Mostra Mercato Internazionale dell'Antiquariato.

Firenze,Palazzo Strozzi,28/4-30/6/1979. A cura del Comune e della Provincia. Firenze, Vallecchi 1979, cm.22x24, pp.77, 24 tavv.a col.a p.pag. 306 ill.bn.molte a p brossura copertina figurata a colori.

Milano, Palazzo Reale 1985-86. Milano, Electa 1985, cm.22x24, pp.262, num.ill.bn.e col.molte a p.pag. brossura cop.fig.a col.

Disponiamo: vol.63,January-June 1960,pp.1086, vol.64,July-December 1960,pp.991, vol.65,January-June 1961,pp.927, vol.66,July-December 1961,pp.926, vol.67,January-June 1962, vol.68,July-December 1962,pp.906, vol.69,January-June 1963,pp.862, vol.70,July-December 1963,pp.897, vol.71,January-June 1964, vol.72,July-December 1964,pp.896, vol.73,January-June 1965,pp.928, vol.74,July-December 1965,pp.886, vol.75,January-June 1966,pp.912, vol.76,July-December 1966,pp.926, vol.77,January-December 1967,pp.874, vol.78,July-December 1967,pp.840, vol.79,January-june 1968,pp.824, vol.80,July-December 1968,pp.832, vol.81,January-June 1969,pp.920, vol.82,July-December 1969,pp.892, Boston, Editorial Board, cm.16,5x25,5, in ciascun vol. ci sono centinaia di ill.bn.e num. tavv.a col.ft. legatura in mz.pelle rossa,con titoli in oro ai dorsi, ciascun vol.

Genere: Classical. Genova, Istituto Discografico italiano IDIS 6609 1950,1961, Playing time: 69 min. AudioCD. CD. Lingue: inglese.

Per capire in modo razionale, un fenomeno apparentemente irrazionale. TAvole delle effemeridi e 208 schede per fare l'oroscopo in modo nuovo. Savelli 1979, cm.15,5x21, pp.254, brossura copertina figurata a colori.

Solomon R Guggenheim Museum 2025, cm.24x30, pp.214, ill.a colori. legatura editoriale cartonata con sopracoperta figurata a colori. Orphism emerged among a cosmopolitan group of artists active in Paris in the early 1910s, as the innovations of modern life radically altered conceptions of time and space. Engaged with ideas of simultaneity in kaleidoscopic compositions, these artists investigated the transformative possibilities of color, form and motion. Often featuring disks of brilliant color, their work evoked multisensory experiences. When pushed to its limits, Orphism signaled total abstraction. The poet Guillaume Apollinaire, a contemporary, coined the term “Orphism” to describe this move away from Cubism, toward a physically and spiritually transcendent art. His concept referred back to the Greek mythological poet and lyre player Orpheus, whose music thwarted death. The first in-depth examination of the Orphist avant-garde, this revelatory exhibition catalog contextualizes Orphism, tracing its roots, exploring its cross-disciplinary reach and considering its transnational reverberations across 16 illustrated texts by a multigenerational group of authors from different fields. Incisive essays offer new perspectives, delineating Orphism’s connection to music, dance and poetry, and investigating the historical and cultural circumstances that shaped its ethos. More than 90 artworks in multiple mediums are punctuated by micro-narratives that view select artists through the Orphist lens, presenting original scholarship on well-known figures such as Robert Delaunay, Sonia Delaunay, František Kupka and Francis Picabia while also illuminating lesser-known ones such as Mainie Jellett, Morgan Russell and Amadeo de Souza-Cardoso.