Pascal. Son temps et le notre.

Paris, Le Divan 1931, cm.12,5x17,5, pp.90,(6), un ritratto in bn.all'antip., brossura, cop.fig.con bandelle. (piccole mende al dorso e rare e lievi evidenziazioni a matita al testo.

Paris, Denoel et Steele 1934, cm.14x20,5, pp.238, brossura cop.fig.bn. Coll.Les Maitres de la Penseé Religeieuse. testo in francese.

Paris, Editions de La Nouvelle Revue Critique 1945, cm.12,5x16,5, pp.174,(2), brossura (interni ingialliti per il tipo di carta; lievi interventi a matita nt.)

Paris, Editions de la Nouvelle Revue Critique N.R.C. 1945, cm.12,5x16,5, pp.174, brossura.

Firenze, Olschki Ed. 1988, cm.24,5x34, pp.76, 84 figg.bn.nt.ed una carta ripieg. brossura Coll.Forma Italiae.

The Museum of Modern Art 1995, cm.23x30, pp.128 ill.col.and bw. hardcover. Copy with special cover. 0870701312

Heidelberg,Germany,10-13 september 2000. Pisa, Ediz.ETS 2000, solo volume 2, cm.20,5x28,5, pp.XXIII,637-1280, centinaia di illustraz. bianco e nero nel testo, legatura editoriale in tutta tela verde, Collana Institution of Chemical Engineers Symposium.

Princeton University Press 2009, cm.15,5x23, pp.292, brossura con copertina figurata. In ancient Athens, where freedom of speech derived from the power of male citizenship, women's voices were seldom heard in public. Female speech was more often represented in theatrical productions through women characters written and enacted by men. In Spoken Like a Woman, the first book-length study of women's speech in classical drama, Laura McClure explores the discursive practices attributed to women of fifth-century b.c. Greece and to what extent these representations reflected a larger reality. Examining tragedies and comedies by a variety of authors, she illustrates how the dramatic poets exploited speech conventions among both women and men to construct characters and to convey urgent social and political issues. From gossip