Athènes.

Roma, Ediz.dell'Ateneo 1988, cm.17x24, pp.VI-330, brossura Coll.Lessico Intellettuale Europeo,XLVII.

Firenze, Olschki Ed. 1959, cm.12,5x17,5, 256 pp. con 48 tavv., Coll. Pocket Library of Studies in Art, 4.

Traduz.di Renzo Modesti. Milano, Antonio Vallardi Editore ca. 1960, cm.21x28,5, pp.96, numerose ill. a col.nt. di cui alcune applic., legatura ed.cartonata, sovraccop.fig.a col. Mende alla sovraccop.ma esempl.ben tenuto. (altra copia priva di sopraccop. e con ex libris,€ 12,00).

Berkeley - Los Angeles - Oxford, University of California Press 1992, cm.15x23, pp.(10),301,(1), brossura, cop.fig. [copia allo stato di nuovo] Hansen challenges both the long-standing myth of Chaucer as the tolerant, wise Father of English poetry and the recent arguments that Chaucer was a protofeminist, subversive of the misogyny of his day. Hansen argues that these mistaken interpretations inhibit readings of Chaucer that respond to feminist and other poststructuralist critiques of traditional literary scholarship. Hansen suggests that the woman's voice in Chaucer reflects an urgent problem of gender identity for two kinds of men, both feminized by fourteenth-century courtly conventions: those who love women, and those who traffic in stories about women. She maintains that Chaucer destabilizes the notion of fixed gender difference but then privileges masculine identity by reconstructing the feminine in orthodox ways. Hansen exhorts readers of Chaucer, and students of the history of gender, to approach Chaucer's fictions with a more sophisticated awareness of their complexity and timeliness.