L'Arte Classica.

Seconda edizione interamente riveduta. Torino, UTET 1927, cm.21x26, pp.XXVIII,832, 12 tavv.in calcocromia e 932 riproduz.nt. legatura ed.in mz.pelle, fregi.

Novara, Istituto Geografico De Agostini 1942, cm.22,5x25, pp.XXXIV, 120 tavv.bn.ft. legatura editoriale in tutta tela, titoli in oro al piatto anteriore e dorso. Coll.Storia della Pittura Italiana.

Bologna, M.Testa Editore 1939, cm.14x20,5, pp.203, 20 tavv.in bn.ft., brossura, cop.fig. [copia in ottimo stato]

Terza edizione interamente riveduta. Torino, UTET 1948, cm.19,5x26, pp.XXVIII,829, 12 tavv. e 949 riproduz.bn.nt. legatura ed.(dorso parzialmente staccato). Coll.Storia dell'Arte Classica e Italiana,1.

Congresso: Linguaggio, sogno ed opera d'arte. A cura di Mariano Cristaldi. Roma, Ediz.dell'Ateneo 1977, cm.17x24, pp.XX,365, brossura

Paris, Editions Albin Michel 1949, cm.13,5x21, pp.396, brossura intonso, cop.fig. Piccole fioriture in cop. ma ottimo esempl.

Usa, Alfred Publishing 2001, cm.23x31, pp.24, fascicolo spillato.

Princeton University Press 2009, cm.15,5x23, pp.292, brossura con copertina figurata. In ancient Athens, where freedom of speech derived from the power of male citizenship, women's voices were seldom heard in public. Female speech was more often represented in theatrical productions through women characters written and enacted by men. In Spoken Like a Woman, the first book-length study of women's speech in classical drama, Laura McClure explores the discursive practices attributed to women of fifth-century b.c. Greece and to what extent these representations reflected a larger reality. Examining tragedies and comedies by a variety of authors, she illustrates how the dramatic poets exploited speech conventions among both women and men to construct characters and to convey urgent social and political issues. From gossip