Views of Old Plymouth.

Pisa, Ediz.ETS 2002, cm.14x21, pp.280, brossura cop.con bandelle.

XIIe Congrès de la Société des Historiens Médievistes de l'Enseignement Supérieur Public, Nancy 1981. Nancy, Presses Universitaires de Nancy 1982, cm.16x24, pp.251,(5), brossura, cop.fig. (cop.ingiallita, altrimenti copia allo stato di nuovo.)

Indice:- Townscape - The street - The town - The italian tradition - Objects - Earth - Air - Fire - Water - Conclusions. Illustrazioni di Kenneth Browne, Presentazione di Erdem Erten e di Alan Powers. Londra, The Architectural Press 1963, cm.18,5x25, pp.280 ill. legatura editoriale, sopracoperta fig. Prima edizione. First edition. The Italian Townscape was written by Hubert de Cronin Hastings (1902-1986), under his pseudonym of Ivor de Wolfe, with photographs taken by him and his wife Hazel (alias Ivy de Wolfe). He claimed to have invented the word Townscape, and used his position as proprietor/editor of the Architectural Review to promote it as a technique to inspire the creation of historically layered, visually stimulating, dense cities in the period of reconstruction and new towns.

Oxford, At The Clarendon Press 1989, cm.16x24, pp.XVIII,526, legatura editorialec artonata, sopracoperta figurata a colori. At age 28, William Wordsworth had neither a settled income nor the professional qualifications needed to secure one. He had no home, and he could not support the illegitimate child he had fathered during an impetuous love affair in France. The major part of a slim, anonymously issued volume of Lyrical Ballads was all he had to show for the years since he had left Cambridge, and yet he was convinced that he was called to be a major poet. Recognition came slowly, but by age 70 he was revered as a cultural icon, the Poet Laureate of England, and the most celebrated native of the Lake Country, where he was visited by royalty and many of the great poets of his day. Based on an intimate knowledge of the poet's manuscripts, on a fresh look at contemporary records, and a careful analysis of the vast amount of research that has appeared in the last two decades, this vividly written volume is the first serious biography of Wordsworth to appear in over twenty-five years. Stephen Gill, a leading authority on Wordsworth's work, reveals that in many ways this giant of English literature lead a heroic life. Persisting against critical condemnation, numbing blows from the death of friends and family, including three of his own children, and his inability to make enough money from his writings to support himself, his dedication to his art did not waver. Moreover, Gill corrects the image of the older Wordsworth as a stodgy betrayer of his radical youth. While his politics certainly did change, and his poetic power waned, from 1799 almost to his death in 1850, Wordsworth single-mindedly shaped his own life in submission to an imaginative possession whose importance he never doubted. Illustrated with over twenty halftones--including portraits, manuscript pages, and places important to Wordsworth and his family--this is an authoritative account of one of literature's great innovators, a writer who permanently enlarged the range of English poetry, both in subject matter and in treatment, and left a body of work that has enjoyed an enormous and lasting popularity. Providing considerable insight into Wordsworth's poetic achievement, Gill illuminates what was most essential to Wordsworth himself: his life as a writer.