Fino all ultimo spinacio.

35 classiche storie di Braccio di Ferro. Milano, Mondadori 1970, cm.13x18,5, pp.212, brossura copertina figurata a colori. Coll.Gli Oscar, 177.

Metz, Generalrat des Departements Moselle - Serge Domini Verlag 2002, cm.18,5x25, pp.59, numerose figg.a col.e in bn.nt., brossura cop.fig.a col. con bandelle. ISBN 2-912645-46-8

With introductory Note by Alfred Russel Wallace. London, William Rider & Son 1909, cm.13x19,5, pp.XIV,407,(1) + 24 di pubblicità ed., leg.ed.in tutta tela, titoli e filetti in oro al piatto ant.e al dorso. (fioriture ai risguardi e ai tagli ma esempl. mlto ben tenuto.) First edition.

A cura e note di Bruno Maier. Novara, Ediz.per il Club del Libro 1968, cm.14x21,5, pp.580, legatura ed.titoli e fregi in oro ai piatti e al dorso.

Tavarnuzze, Sismel - Edizioni del Galluzzo 2016, cm.16x24, pp.336, legatura editoriale in tutta tela, sopracoperta figurata a colori. Collana Millennio Medievale, 109. In these essays Peter Dronke looks at some of the relations between sacred and profane ideas and images, and Christian and pagan motifs, particularly in the early Middle Ages. The first two parts of the book dwell on aspects of (in the widest sense) Christian Platonism, the one part focussing on themes, the other on some of the greatest thinkers in the Latin world, from Boethius in the sixth century to Thierry of Chartres in the twelfth. The emphasis throughout is on transformations and syncretisms far more than disjunctions. The final group of essays is concerned with poetic texts, Latin and vernacular, in which non-sacred elements make their way into the sacred, the biblical and the saintly realms. A brief Epilogue glances at early medieval profane poetry outside as well as within Europe