Ottocento francese.

Scritti di:A.Battaglia, V.Gianolio, J.Morgante, A.Poli, R.Ghigo Bezzola. Milano, Cisalpino Goliardica Ed. 1983, cm.17x24, pp.110, brossura Quaderni dell'Ist.di Lingue e Letterature Neolatine,3.

Tome I(livres III-VI).Tome II(livres VII-X).Texte établi par H.Bardon.Ediz.con testo a fronte. Paris, Les Belles Lettres 1976,1965, 2 tomi. cm.13x20, pp.XXI-445 compl., brossura Coll.des Univ.de France. Intonsi.Rist.delle ediz.del 1961 e 1948.

London and Basingstoke, Southern Illinois University Press 1992, cm.14,5x23, pp.XIX,314, legatura ed.sopracop.fig. The career of R DJ S Stevens (1757–1827) lasted from the late baroque to early romanticism. Trained as a choirboy, he was apprenticed at the age of eleven to William Savage, who undertook to instruct him in the "Science of Musick." After leaving Savage, Stevens pursued, somewhat unsuccessfully at first, a career as an organist. In 1782 his luck changed when he was elected an organist to St. Michael’s, Cornhill. He spent the rest of his life earning his living as a composer, organist, and music teacher whose pupils included the illegitimate daughters of Lord Thurlow, the Lord Chancellor. Among Stevens’s works is The Anacreontic Song, which serves as the melody for The Star Spangled Banner.

Firenze, Libreria Editrice Fiorentina 1974, cm.15,5x21, pp.157, alcune figgin .bn.nt., brossura copertina fig. con bandelle.