A Brief History of the National Gallery.

Milano, Comunità 1983, cm.17,5x24,5, pp.292, 137 tavv.bn.e 20 tavv.a col.nt. legatura editoriale con sovracopertina figurata a colori.

Trad.da A.Corrias. Milano, Mondadori 1988, cm.25,5x29,5, pp.301, 238 fra ill.e tavv.bn.e col.nt. legatura ed.in tutta tela,soprac.fig.a col.

Pimlico 1997, cm.19x24,5, pp.498, brossura copertina figurata a colori. This fresh penetrating and beautifully illustrated study is part history, part guide and part celebration. Michael Levey surveys the physical evolution and enhancement of Florence over the centuries, from medieval republican times to the beginning of the nineteenth century. While discussing artefacts of all kinds - a cameo or reliquary no less than great buildings and other major works of art -he also considers some of the chief personalities who have contributed to the physical appearance of the city we see today. Renaissance Florence is a familiar phenomenon, given its due place in stimulating, detailed discussion here. But much less well known is the city which developed onwards from the late sixteenth century, which the author warmly champions, with its own great, sometimes opulent artistic achievements. In this magnificent book, the famous and apparently familiar emerges with new vividness and clarity to

Leg.in cuoio, dorso con nervi, titoli e impressioni in oro zecchino, coperta in cuoio a sbalzo dipinta a mano opera dello scultore Mario Picchi, custodia in t.tela con piatti figg.a colori. A cura di Lucio Crescenzi. Present.di Francesco Cossiga. Roma, Editalia 1988, cm.32x42, pp.280 in carta a mano filigranata,12 tavv.a col.e 163 ill.e tavv.bn.nt. Ediz.limitata e numerata. Ottimo esemplare.

Hants, Macmillan Publishers Ed. 1992, cm.16x24, pp.XIX,139, legatura ed.

Prefaz.di Baldassarre Molossi. Parma, PPS Editrice s.d. cm.17x24, pp.136, alcuni diss.in bn.nt. brossura cop.fig.col.con bandelle. Stato di nuovo.

Paris, Le Livre Club du Libraire 1956, cm.13,5x20, pp.438, num.figg.bn.nt. legatura editoriale Exemplaire n.2126.