Il Lapidario.

Geneve, Editions d'Art Albert Skira 1956-9, completo in 4 volumi, cm.25,5x34,5, pp.200,208,170,174, ciascun volume reca circa 100 tavv.a colori applicate nt. legature editoriali in tutta tela,sopracc.fig.a col. Coll.Pittura, Colore, Storia.

Libretto di H. Meilhac, L. Halévy. Carlo Montanari - conductor Dante Ferretti - director and set designer Fondazione Orchestra Regionale delle Marche Recorded at Sferisterio Opera Festival 2008, Macerata Dynamic 2009, 2 DVD, Playing Time: 156 min. DVD, Lingue: Italiano, Inglese, Tedesco, Francese. Sottotitoli: Italiano, Inglese, Tedesco, Francese, Spagnolo. 16:9, All Regions, PCM 2.0.

La mère des rois de Célestin Bosc (1901). Vendetta contre Bonaparte de Jean Petithuguenin (1928). Le dernier vol de l'Aigle d'Emile Ripert (1927 et 1938). Napoléon Bonaparte: enfant d'Ajaccio de Pierre Bonardi (1935). Ajaccio, Albiana 2018, cm.16,5x24, pp.616, Relié. Trésors de la littérature populaire. Deux empereurs successifs, deux révolutions, trois républiques et une monarchie ont parfois ruiné, parfois enrichi les familles insulaires au gré de leurs adhésions politiques plus ou moins heureuses. Le statut social de celles-ci, illustré en honneurs et titres s'est aussi exprimé par l'accumulation de biens immobiliers, terres et demeures,... mais aussi par l'acquisition de mobilier, souvent de prestige, tout au moins de qualité. L'exposition temporaire de la Maison Bonaparte (2018), propose de visiter ces témoins du passé conservés dans les demeures patriciennes de l'île. L'ouvrage, constitué de contributions de spécialistes insulaires, continentaux et internationaux (historiens, historiens de l'Art, conservateurs, ébénistes, etc.), ouvre des pistes de recherches originales : modèles, fabrication, réseaux commerciaux, histoires particulières, etc. En outre il propose pour la première fois l'inventaire complet détaillé et historicisé du mobilier de la Maison Bonaparte, et un catalogue des oeuvres réunies pour l'exposition. Pionnier, l'ouvrage offre au lecteur une première mais fondamentale approche, richement illustrée, de l'intimité des intérieurs corses du XIXe siècle.

Contents: Preface 1. Cuthswith, seventh-century abbess of Inkberrow, near Worcester, and the Würzburg manuscript of Jerome on Ecclesiastes Patrick Sims-Williams 2. The Anglian collection of royal genealogies and regnal lists David N. Dumville 3. The authenticating voice in Beowulf Stanley B. Greenfield 4. The ideal of men dying with their lord in the Germania and in The Battle of Maldon Rosemary Woolf 5. Ælfric's use of discourse in some saints' lives Ruth Waterhouse 6. Caesarius of Arles and Old English literature Joseph B. Trahern Jr 7. A supplement to Catalogue of Manuscripts Containing Anglo-Saxon N. R. Ker 8. The probable derivation of most of the illustrations in Junius II from an illustrated Old Saxon Genesis Barbara Raw 9. The palaeography of the Parker manuscript of the Chronicle, laws and Sedulius, and historiography at Winchester in the late ninth and tenth centuries M. B. Parkes 10. Some problems in interpreting Anglo-Saxon coinage Stewart Lyon 11. Beginnings continued: a decade of studies of Old English prose Milton McC. Gatch 12. Bibliography for 1975 Martin Biddle, Alan Brown, T. J. Brown, Peter A. Clayton and Peter Hunter Blair Index to volumes 1–5. Cambridge University Press 1976, cm.15x23, pp.319, legatura editoriale cartonata, sopracoperta figurata. Manuscripts are the form of evidence most studied in this volume: the likely seventh- and eighth-century English ownership of a fifth-century copy of a Hieronymian commentary is meticulously reconstructed; an edition and full discussion of the eighth-century Anglian collection of royal genealogies and regnal lists advance our understanding of this difficult material; and it is shown that most of the drawings in the Junius codex of Old English poetry probably derived from an illustrated copy of an Old Saxon poem on Genesis which came to this country in the middle of the ninth century. Vernacular literature is well represented: two leading features of narrative technique are examined, one in Beowulf, the greatest surviving poem of the age, and the other in the works of Ælfric, perhaps its greatest writer of prose. A wide-ranging survey of some of the main problems in the modern-day study of Anglo-Saxon coinage makes a fundamental contribution both to that study itself and to the understanding of it by those in other specializations.