Come se Dio ci fosse (e fosse una balena).

Préface de Maurice Rheims. Rhode St.Genèse, Albert de Visscher Editeur 1980, cm.22x29, pp.204, num.figg.bn.e 104 ill.e tavv.a col.nt., legatura ed.in tutta tela, sovraccop.fig.a col.

Traduction, introduction, notes et commentaires par Rainier Lanselle. Préface d'André Lévy. Paris, Gallimard 1987, cm.15x21,5, pp.457, brossura, cop.fig.a col. Buon esempl.

Milano, Sperling & Kupfer 1990, cm.13x21, pp.348, brossura copertina figurata a colori. Coll:Saggi.

Pimlico 1997, cm.19x24,5, pp.498, brossura copertina figurata a colori. This fresh penetrating and beautifully illustrated study is part history, part guide and part celebration. Michael Levey surveys the physical evolution and enhancement of Florence over the centuries, from medieval republican times to the beginning of the nineteenth century. While discussing artefacts of all kinds - a cameo or reliquary no less than great buildings and other major works of art -he also considers some of the chief personalities who have contributed to the physical appearance of the city we see today. Renaissance Florence is a familiar phenomenon, given its due place in stimulating, detailed discussion here. But much less well known is the city which developed onwards from the late sixteenth century, which the author warmly champions, with its own great, sometimes opulent artistic achievements. In this magnificent book, the famous and apparently familiar emerges with new vividness and clarity to