Anglo - Saxon England 5. Contents:Preface1. Cuthswith, seventh-century abbess of Inkberrow, near Worcester, and the Würzburg manuscript of Jerome on Ecclesiastes Patrick Sims-Williams2. The Anglian collection of royal genealogies and regnal lists David N. Dumville3. The authenticating voice in Beowulf Stanley B. Greenfield4. The ideal of men dying with their lord in the Germania and in The Battle of Maldon Rosemary Woolf5. Ælfric's use of discourse in some saints' lives Ruth Waterhouse6. Caesarius of Arles and Old English literature Joseph B. Trahern Jr7. A supplement to Catalogue of Manuscripts Containing Anglo-Saxon N. R. Ker8. The probable derivation of most of the illustrations in Junius II from an illustrated Old Saxon Genesis Barbara Raw9. The palaeography of the Parker manuscript of the Chronicle, laws and Sedulius, and historiography at Winchester in the late ninth and tenth centuries M. B. Parkes10. Some problems in interpreting Anglo-Saxon coinage Stewart Lyon11. Beginnings continued: a decade of studies of Old English prose Milton McC. Gatch12. Bibliography for 1975 Martin Biddle, Alan Brown, T. J. Brown, Peter A. Clayton and Peter Hunter BlairIndex to volumes 1–5.

--Margaret Gelling. Latin loan-words in Old English place-names. --Philip Rahtz, Donald Bullough. The parts of an Anglo-Saxon mill. --Michael Winterbottom. Aldhelm's prose style and its origins. --Vivien Law. The Latin and Old English glosses in the ars Tatuini. --John F. Vickrey. The narrative structure of Hengest's revenge in Beowulf. --Robert C. Rice. The penitential motif in Cynewulf's Fates of the Apostles and in his epilogues. --David Yerkes. The text of the Canterbury fragment of Werferth's translation of Gregory's Dialogues and its relation to the other manuscripts- -Eric E. Barker. Two lost documents of King Athelstan. --Robert Deshman . The Leofric Missal and tenth-century English art. --Stephanie Hollis. The thematic structure of the Sermo Lupi. --D. G. Scragg. Napier's ‘Wulfstan’ homily xxx: its sources, its relationship to the Vercelli Book and its style. --Thomas D. Hill. The æecerbot charm and its Christian user. --Christine Fell. English history and Norman legend in the Icelandic saga of Edward the Confessor. --Milton MCC. Gatch. Old English literature and the liturgy: problems and potential. --Sutton Hoo published: a review. Cambridge University Press 1977, cm.15x23, pp.IX,316, legatura editoriale cartonata, sopracoperta figurata. Work in this volume offers insights into the Anglo-Saxons' literature, both Latin and vernacular, their study of Latin, their documents, art and artefacts, agricultural practices, their cognizance of Roman predecessors, and later Icelandic knowledge of them. The literary contributions include a major study of Aldhelm's Latin prose style, arguing against its supposed 'Irishness' and placing it firmly in the main tradition of rhetorical amplification coming through from ancient times. In the field of vernacular poetry a prevalent, but illogical, interpretation of a thematically significant obscurity in Beowulf is challenged, and Cynewulf's penitential concern is emphasized. The physical remains of the eighth-century watermill at Tamworth and a compiled survey of early medieval mill terminology are correlated. Old English place-names containing Latin loan words are reconsidered. The sources of a fourteenth-century Icelander's knowledge of late Anglo-Saxon history are further delineated in a third, concluding article on the Játvarthar saga. There is the usual bibliography of the previous year's studies in all branches of Anglo-Saxon.

Contents: 1. Identifiable books from the pre-Conquest library of Malmesbury Abbey Rodney Thomson 2. Milred of Worcester's collection of Latin epigrams and its continental counterparts Patrick Sims-Williams 3. The prefix un- and the metrical grammar of Beowulf Calvin B. Kendall 4. Hrothgar's 'sermon' in Beowulf as parental wisdom Elaine Tuttle Hansen 5. Lexical evidence for the authorship of the prose psalms in the Paris Psalter Janet M. Bately 6. Byrhtferth of Ramsey and the early sections of the Historia Regum attributed to Symeon of Durham Michael Lapidge 7. Byrhtferth's Enchiridion and the computus in Oxford, St John's College Peter S. Baker 8. Princeps Merciorum gentis: the family, career and connections of Ælfhere, ealdorman of Mercia 956–83 A. Williams 9. The laws of Cnut and the history of Anglo-Saxon royal promises Pauline Stafford 10. Sprouston, Roxburghshire: an Anglo-Saxon settlement discovered by air reconnaissance J. K. S. St Joseph 11. Histories and surveys of Old English literature: a chronological review Daniel G. Calder 12. Bibliography for 1980 Carl T. Berkhout, Martin Biddle, T. J. Brown, Peter A. Clayton, C. R. E. Coutts and Simon Keynes Index to volumes 6–10. Cambridge University Press 1982, cm.15x23, pp.326, legatura editoriale cartonata, sopracoperta figurata. Among topics covered in this volume, two important authorship questions are settled; the discovery of a major Northumbrian settlement is reported; the conceptions of Old English literature which have prevailed during the last three hundred years are paraded for critical inspection and substantial contributions are made to our knowledge of subjects as diverse as a monastic library of the first rank, eighth-century Latin poetic activity, metrical technique and literary convention in our greatest surviving vernacular poem; the family basis of political power in the tenth century; late Anglo-Saxon legal concepts; and scientific exposition in the early eleventh century. The usual comprehensive bibliography of the previous year's publications in all branches of Anglo-Saxon studies rounds off the book (with a separate section onomastic section). There is also an index to volumes 6 – 10, complementing the index found in volume 5.

Introduz.,testo e commento a cura di Paolo Carrara. Firenze, Edizioni Gonnelli 1977, cm.22x31, pp.112, 2 tavv.pieg. brossura. Coll.Papyrologica Florentina,3. Copia autografa del curatore.

Libretto di H. Meilhac, L. Halévy. Carlo Montanari - conductor Dante Ferretti - director and set designer Fondazione Orchestra Regionale delle Marche Recorded at Sferisterio Opera Festival 2008, Macerata Dynamic 2009, 2 DVD, Playing Time: 156 min. DVD, Lingue: Italiano, Inglese, Tedesco, Francese. Sottotitoli: Italiano, Inglese, Tedesco, Francese, Spagnolo. 16:9, All Regions, PCM 2.0.

Comitato direttivo: Giuseppe Antonelli, Giulio Cattaneo, Leone Piccioni, Giuseppe Rossini. Roma, ERI 1966, cm.17x24, pp.407, brossura SOMMARIO: Problemi di attualità: - Profilo culturale dell'India di oggi di Umberto Morra - Vent'anni dopo: vincitori e vinti Studi critici: - Storia dello snobismo di Antonio Spinosa - Scienza e filosofia in Italia nel primo Novecento di Paolo Casini Dibattiti e testimonianze: - Dibattiti sull'Ateismo - Il Frontespizio di Carlo Betocchi - Ricordo di Papini di Mario Gozzini Musica: - Le cantate profane di J.S. Bach di Carlo Marinelli Testi scritti, tradotti o adattati per la radio. Teatro, narrativa, poesia: - Amos di Anna Langfus Cronache

La mère des rois de Célestin Bosc (1901). Vendetta contre Bonaparte de Jean Petithuguenin (1928). Le dernier vol de l'Aigle d'Emile Ripert (1927 et 1938). Napoléon Bonaparte: enfant d'Ajaccio de Pierre Bonardi (1935). Ajaccio, Albiana 2018, cm.16,5x24, pp.616, Relié. Trésors de la littérature populaire. Deux empereurs successifs, deux révolutions, trois républiques et une monarchie ont parfois ruiné, parfois enrichi les familles insulaires au gré de leurs adhésions politiques plus ou moins heureuses. Le statut social de celles-ci, illustré en honneurs et titres s'est aussi exprimé par l'accumulation de biens immobiliers, terres et demeures,... mais aussi par l'acquisition de mobilier, souvent de prestige, tout au moins de qualité. L'exposition temporaire de la Maison Bonaparte (2018), propose de visiter ces témoins du passé conservés dans les demeures patriciennes de l'île. L'ouvrage, constitué de contributions de spécialistes insulaires, continentaux et internationaux (historiens, historiens de l'Art, conservateurs, ébénistes, etc.), ouvre des pistes de recherches originales : modèles, fabrication, réseaux commerciaux, histoires particulières, etc. En outre il propose pour la première fois l'inventaire complet détaillé et historicisé du mobilier de la Maison Bonaparte, et un catalogue des oeuvres réunies pour l'exposition. Pionnier, l'ouvrage offre au lecteur une première mais fondamentale approche, richement illustrée, de l'intimité des intérieurs corses du XIXe siècle.